||November 29, 1917
Rosewood, Kentucky United States
||October 20, 1983
Tahlequah, Oklahoma United States
||Recording artist, Guitarist and performer
||1936 - 1983
||King Records - Capitol Records
Merle Travis (November 29, 1917 - October 20, 1983) was an American country and western singer, songwriter, and musician. Born
Merle Robert Travis in Rosewood, Kentucky, he was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the
Country Music Hall of Fame in 1977. Some of the songs he wrote or performed include: "Sixteen Tons", "So Round, So Firm, So Fully Packed",
and "Smoke, Smoke, Smoke that Cigarette"; however, it is his masterful guitar playing that he is best known for today. "Travis picking",
a style of guitar picking, is named after him.
Merle Travis was raised in Muhlenberg County, Kentucky, the same coal mining county mentioned in the John Prine song "Paradise." Merle
became interested in the guitar early in life, and he originally played one made by his brother. Merle reportedly saved his money to buy
a guitar that he had window-shopped for some time.
There were several local guitar players that drew Merle's attention. Mose Rager was his main inspiration. He played a thumb and index finger
picking style method which essentially created a solo style that blended lead lines and rhythmic bass plucked by the thumb (equipped with a
thumbpick), similar to the style Merle developed.
This guitar style captivated many white guitarists in the region; most notable was Kennedy Jones, its first great local exponent. A part-time
barber and coal miner named Mose Rager was a disciple of Jones's, as was Ike Everly, the father of Don and Phil, who also used this method.
Young Travis learned from both.
In 1936, he performed "Tiger Rag" on a local radio amateur show while visiting his older brother in Evansville, Indiana, leading to offers of
work with local bands. He then spent a brief period with the better-known Clayton McMichen's Georgia Wildcats, before connecting with the
Drifting Pioneers who performed on WLW in Cincinnati.
Travis's style amazed everyone at WLW. He became a popular member of their barn dance show the "Boone County Jamboree," and worked on various
weekday programs, often working with other WLW acts including Grandpa Jones, the Delmore Brothers, Hank Penny and Joe Maphis, all of whom became
lifelong frinds. In 1943, he and Grandpa Jones recorded for Cincinnati used-record dealer Syd Nathan, who had founded a new label, King Records.
Because WLW barred their staff musicians from recording, they used the pseudonym "The Sheppard Brothers."
In 1944, Travis left Cincinnati for Hollywood where his style became even more renowned as he worked on radio, recording sessions and on live
stage shows. He recorded for small labels there and in 1946 was signed to Capitol Records. Hits like "Divorce Me C.O.D.," Sweet Temptation,"
"Steel Guitar Rag" and "Fat Gal" gave him national prominence, although they rarely showcased the guitar work that Travis was renowned for
amongst his peers in the music industry. His single "Merle's Boogie Woogie" showed him working with multi-part disc recording at the same time
as Les Paul. His design for a solidbody electric guitar, built for him by Paul Bigsby with a single row of tuners, inspired longtime Travis pal
Leo Fender's early guitar design. That guitar now resides in the Country Music Hall of Fame.
In 1946, asked to record an album of folk songs or pseudo-folk tunes, Travis combined traditional numbers with originals he wrote recalling his
family's days working in the mines, such as "Sixteen Tons" and "Dark As A Dungeon". Travis's personal life was less sanguine. A heavy drinker
and at times desperately insecure despite his multitude of talents (prose writing, taxidermy, cartooning and watch repair), he was involved in
various violent incidents in California and married several times.
His unique style spawned followers, the most notable of whom was Chet Atkins, who first heard Travis on WLW in 1939 while living with his father
in rural Georgia. Travis continued recording for Capitol into the 1950s, finding greater exposure after an appearance in the 1953 movie From
Here to Eternity playing "Reenlistment Blues", and when his friend Tennessee Ernie Ford recorded his million-selling rendition of "Sixteen
Tons" in 1955. Still plagued by substance abuse issues, he never sustained his popularity, despite the reverence of friends like Johnny Cash,
Grandpa Jones and Hank Thompson, with whom he toured in the 1950s. Thompson, who could pick Travis-style, even had Gibson design him a Super 400
hollowbody electric guitar identical to the one Travis began using in 1952; longtime Travis fan Doc Watson named his son, Merle Watson, in Merle
Travis enjoyed a brief revival in the late 1970s with some excellent recordings for CMH Records which finally showcased the guitar work he was
renowned for, including Western Swing, re-recordings of his hits, and acoustic playing. In 1983, Travis died of a massive heart attack at his
Tahlequah, Oklahoma home. Today, his son Thom Bresh continues playing in Travis's style.
This article is licensed under the GNU Free Document License
It uses material from the Wikipedia article - Merle Travis